Music on the Holocaust
Monologue
March 31, 2023
All The Wrong Reasons
March 31, 2023Mikis Theodorakis Wrote the Most Beautiful Music on the Holocaust
Mikis Theodorakis, the Greek composer who passed away on Thursday in Athens at 96, is credited for writing the most beautiful music on the Holocaust.
The “Mauthausen Trilogy,” also known as “The Ballad of Mauthausen” is a cycle of four arias with lyrics based on poems written by Greek poet Iakovos Kambanellis, a Munchausen concentration camp survivor.
The Munchausen Cycle, one of the best-known compositions inspired by events at the Munchausen concentration camp, is popular in Israel, and has been used to promote peace and cooperation worldwide.
Richman also mentions that the composer “created songs that have entered the pantheon of acclaimed song cycles.”
In a supreme irony, approximately one year after the release of his ballad, during the premiere of the Mauthausen song cycle in London in 1967, Theodorakis was imprisoned in Greece by the recently installed Greek military junta and his music was banned in the country.
The Mauthausen Trilogy was performed by Joan Baez and several Israeli artists in Hebrew.
“Song Of Songs”
Beyond the bleak and frozen square,
above the yellow linen star,
no heart will ever beat again
because the beautiful have lost
their way to paradise.
All the whys have lost their reason,
braves the will to fight.
If there is a God in heaven,
where was he, sleeping?
Oh, children of Auschwitz,
oh, children of Dachau,
oh, come tell me what became of love,
oh, come tell me what became of love,
oh, come tell me what became of love.
oh, come tell me what became of love,
oh, come tell me what became of love.
The ballad reflects Kambanellis‘s own experience at Mauthausen, including his love for a Lithuanian-Jewish woman, as it recounts the love affair between a young Greek prisoner and his Jewish love amidst the atrocities they witnessed at the camp.
Passionate lyrics, haunting melody
The music critic of the Baltimore Sun writes: “Theodorakis had the genius to set this poem with melodic elements from the hymn for Palm Sunday of the Orthodox Church, creating an exquisite, haunting and passionate melody that moves Kambanellis’ affecting words to an even higher level.”
Jerry Silverman, in his book “The Undying Flame: Ballads and Songs of the Holocaust,” writes that “we can be (similarly) enthralled by the passionate lyrics and haunting melody of “Asma Asmaton”” and “(Kambanellis) also wote a cycle of four poems based on episodes in his book, which were lovingly set to music by Mikis Theodorakis”. Silverman also calls Asma Asmaton “extraordinarily moving”.
Sophia Richman, in her book “Mended by the Muse: Creative Transformations of Trauma,” writes: “The song cycle is a requiem for Holocaust victims and raised the consciousness of all Greeks. Its sublime melodic lines, extended harmonies and rhythms, forced listeners to ask, “What happened to our Jews?”
They journey past the land of no returning
where no one could imagine or endure
and there, love begged of God
to sleep no more.
Above the tortured, blackened valleys,
beyond the northern crimson sea,
no bird could ever sing again
because the bitter moon has wept away
the summer sun.
You can rake away the ashes,
but the deed is done
If there is a God in heaven,
where was he, sleeping?
Oh, children of Mauthausen,
oh, children of Belsen,
oh, come tell me what became of love,
oh, come tell me what became of love.
If there is a God in heaven,
where was he, sleeping?
G.I.T.C
